The Scandinavian Defense, also called the Center Counter, is an opening for Black that answers 1. e4 with 1...d5, hitting White’s pawn before a piece is even developed. After 2. exd5 Qxd5 3. Nc3 the queen drops back to a5, the classical main line, and Black settles into one dependable setup: ...Nf6, the light-squared bishop swung out to g4 or f5, ...e6, ...c6 or ...Nc6, and castling. The appeal is structural simplicity. You trade White’s e-pawn at once, so you never get the cramped, passive position that other 1. e4 defenses risk, and your light-squared bishop develops freely outside the pawn chain rather than getting buried like it does in the French. About one in ten games that open 1. e4 see 1...d5, and below 1600 the recapture 2...Qxd5 is by far the most common, so you reach your structure again and again and spend study time on plans instead of move orders.
The main position arrives after 1. e4 d5 2. exd5 Qxd5 3. Nc3 Qa5. Around six in ten White players take the pawn with 2. exd5, and once the queen recaptures, more than eight in ten continue 3. Nc3 to gain a tempo by hitting it. From a5 the queen is safe, and Black follows an almost automatic recipe: ...Nf6, then the bishop to g4 to pin a knight on f3 or to f5 to sit outside the chain, ...e6, ...c6 or ...Nc6, and short or long castling. The one branch that leaves this picture is the Advance, 2. e5, played by about one in six opponents who decline the trade: there Black develops the bishop first with 2...Bf5, then plays ...e6 and ...c5 to strike the base of White’s pawn chain.
Strengths
Drawbacks
Main line with ...Qa5 and the ...Bg4 pin
1. e4 d5 2. exd5 Qxd5 3. Nc3 Qa5 4. d4 Nf6 5. Bd2 Bg4 6. Nf3 Qf5
This is the heart of the repertoire. Black develops ...Nf6, pins the f3-knight with ...Bg4, and lifts the queen to an active square such as f5 or h5 where it eyes the kingside. The pin and the queen lift pressure White’s development and set up the recurring idea of trading on f3, and against a careless White it can even mate, as the course’s opening Dream Game shows.
Wrecking White’s structure with ...Bxf3
1. e4 d5 2. exd5 Qxd5 3. Nc3 Qa5 4. d4 Nf6 5. Bd2 Bg4 6. Nf3 Qf5 7. Bd3 Bxf3 8. gxf3 Qd7
When White challenges the pinned bishop, Black takes on f3 and forces gxf3, shattering White’s kingside pawns into doubled, isolated f-pawns. Black trades a bishop for a knight but gains a permanent structural target, then develops calmly with ...e6 and ...Nc6 and plays against the wreck for the rest of the game.
The ...Bf5 setup with queenside castling
1. e4 d5 2. exd5 Qxd5 3. Nc3 Qa5 4. d4 Nf6 5. Nf3 Bf5 6. Bd2 e6
Instead of the pin, Black develops the bishop to f5, outside the pawn chain, then builds a rock-solid Caro-Kann-like home: ...e6, ...c6 or ...Nc6, ...Bd6 or ...Be7, and castling, often long. The structure is hard to crack, the bishop is a good piece, and Black is ready to meet any central break.
The Advance Variation, 2. e5
1. e4 d5 2. e5 Bf5 3. d4 e6 4. Nf3 c5
About one in six opponents declines the capture and grabs space with 2. e5. Black develops the light-squared bishop to an active f5 first, before sealing it in with ...e6, then strikes the base of the chain with ...c5, supported by ...Nc6 and ...Qb6. The result is a comfortable French Advance where Black’s problem bishop is already solved.
The b4 gambit against ...Qa5
1. e4 d5 2. exd5 Qxd5 3. Nc3 Qa5 4. b4
White’s sharpest attempt to punish the exposed queen offers the b-pawn to chase it. Black simply takes it: 4...Qxb4, and after 5. Rb1 the queen steps back to d6, a pawn up with a sound position. Greedy queenside expansion tends to rebound, and the course’s trap chapter shows how overreaching White players hand back material with interest.
Facing the Scandinavian as White, do not expect to refute it; the structure after 1...d5 2. exd5 Qxd5 3. Nc3 Qa5 is genuinely sound. The clean approach is to take the pawn, hit the queen with Nc3, build a broad center with d4, and develop naturally with Bc4 or Bd3, Bd2 and short castling, accepting a small lead in development as your edge. The early black queen is an annoyance, not a free target, so probe it with moves like Nb5 only when they truly gain time, and resist grabbing the b2- or b4-pawns greedily, since those are exactly the moves the Scandinavian’s traps punish. The ambitious alternative is the Advance, 2. e5, claiming space, though after ...Bf5 and ...c5 Black gets easy, familiar play.
For White
Recapture and use Nc3 to gain a tempo on the queen, then seize the center with d4 and develop smoothly: Bc4 or Bd3, Nf3, Bd2, and castle. Aim to convert the lead in development into pressure before Black completes the ...Nf6, bishop-out, ...e6 setup, and keep the queenside pawns sound rather than chasing the black queen into activity. In the Advance, hold d4 and use the e5-pawn as a space clamp.
For Black
Recapture with ...Qxd5, retreat ...Qa5, and develop with purpose: ...Nf6, the light-squared bishop to g4 (pinning the knight) or f5, ...e6, and ...c6 or ...Nc6 before castling. Look for the trade on f3 that doubles White’s pawns, keep the queen on its active squares, and stay alert for the free pawns when White overpresses on the queenside. Against the Advance, play ...Bf5 first, then ...e6 and ...c5 to hit d4.
The Scandinavian is among the oldest recorded openings, with the 1...d5 idea appearing in fifteenth-century manuscripts, which is why its older name, the Center Counter, is still in use. For a long time it was dismissed as dubious because of the early queen sortie, but modern analysis rehabilitated it: Sergei Tiviakov scored heavily with it over decades, and it reached the world-championship stage when Viswanathan Anand chose it as a surprise against Garry Kasparov in 1995. Today it is a popular, fully respectable answer to 1. e4 at every level, prized for reaching sound positions with very little memorization.